Portfolio > You Never Held It at the Right Angle

I’ve been fascinated by the advent of genetic engineering technologies like CRISPR Cas9 as a cogent parallel to the longstanding themes in my work that examines fragments and boundaries conceptually and physically. I often conflate the architecture of the interior body and the broader views of world maps and constructed barriers, incorporating the vibrant hues and intense chroma of the colored gels used in microscopic visualization. Replacing even a snippet of information to redirect a protein creates a chain of events; likewise, the removal of a community, however small, reverberates into future generations, as does changing the location or character of a boundary between countries or even neighborhoods.

You can find my interview with the curator of this exhibition on the Links page

Inside view of a large 6 paned window patterned with bright, intense colored shapes that are highly concentrated towards the center. This is disrupted by a flowing monochromatic white-grey form that light streams through.
digital image printed on polyester film
108 x 219”
2020
A Seam, a Tear an Opening
digital image printed on polyester film
108 x 219”
2020
A Seam, a Tear, an Opening detail
digital image printed on polyester film
2020
You never Held It At the Right Angle
wood, plastic, mylar, acrylic paint, felt, leather, graphite
88 x 72 x 3"
2020
Her Jaw Aches from Wanting
paper, acrylic paint, wood, mylar, leather, silk, acrylic
43 x 50 x 1"
2020
Pique
paper, acrylic paint, wood, mylar, digital print on polycarbonate, glassine envelope
13 x 9 x 1"
2020
Longing
paper, acrylic paint, mylar, fabric
9 x 4 x 1"
2020
Uncomfortable
paper, acrylic paint, mylar
10 x 9"
2020
No Place
paper, acrylic paint, mylar, leather, silk, wood
42 x 45"
2020
Transcriptions
duralar, plexiglas, paper, acrylic paint, graphite
9 x 8 x 5"
2019